BIBLIOGRAPHY FILM THEORY

Teun A. van Dijk
Version 1.0. November 2001
vandijk?discourses.org (replace ? by @).

Abel, R. (1988). French film theory and criticism: A history/anthology, 1907-1939. Princeton, N.J.: Princeton University Press.

Alexander, W. E. (1972). But get me to the school on time: A paper dealing with the theory of film distribution centers with special reference to Ontario. Toronto: Dept. of Educational Planning, Ontario Institute for Studies in Education.

Allen, R., & Smith, M. (Eds.). (1997). Film theory and philosophy. Oxford: Clarendon Press.

Allen, R. C., & Gomery, D. (1985). Film history: Theory and practice. New York: Knopf.

Allen, R. C., & Gomery, D. (1993). Film history: Theory and practice. New York: McGraw-Hill.

Anderson, J. (1996). The reality of illusion: An ecological approach to cognitive film theory. Carbondale: Southern Illinois University Press.

Andrew, J. D. (1984). Concepts in film theory. Oxford New York: Oxford University Press.

Bal zs, B. (1952). Theory of the film: Character and growth of a new art ; (Translated from the Hungarian by Edith Bone. London: D. Dobson.

Bal zs, B. (1970). Theory of the film: Character and growth of a new art. New York: Dover Publications.

Bordwell, D. (1980). French impressionist cinema: Film culture, film theory, and film style. New York: Arno Press.

Bordwell, D., & Carroll, N. (Eds.). (1996). Post-theory: Reconstructing film studies. Madison: University of Wisconsin Press.

Branigan, E. (1984). Point of view in the cinema: A theory of narration and subjectivity in classical film. Berlin New York: Mouton.

Braudy, L., & Cohen, M. (Eds.). (1999). Film theory and criticism: Introductory readings. New York: Oxford University Press.

Brunette, P., & Wills, D. (1989). Screen/play: Derrida and film theory. Princeton, N.J.: Princeton University Press.

Bruno, G. (1993). Streetwalking on a ruined map: Cultural theory and the city films of Elvira Notari. Princeton, N.J.: Princeton University Press.

Burch, N. (1973). Theory of film practice. New York: Praeger.

Burch, N. (1981). Theory of film practice. Princeton, N.J.: University Press.

Burnett, R. (Ed.). (1991). Explorations in film theory: Selected essays from Cin‚-tracts. Bloomington: Indiana University Press.

Cadbury, W., & Poague, L. A. (1982). Film criticism: A counter theory. Ames: Iowa State University Press.

Carroll, N. (1988). Mystifying movies: Fads & fallacies in contemporary film theory. New York: Columbia University Press.

Carroll, N. (1988). Philosophical problems of classical film theory. Princeton, N.J.: Princeton University Press.

Casebier, A. (1991). Film and phenomenology: Toward a realist theory of cinematic representation. Cambridge New York: Cambridge University Press.

Cohen, M., & Mast, G. (1979). Film theory and criticism: Introductory readings. New York: Oxford University Press.

Collins, A., Collins, J., & Radner, H. (Eds.). (1993). Film theory goes to the movies. New York: Routledge.

Cornut-Gentille D'Arcy, C., & Garc¡a Landa, J. A. (Eds.). (1996). Gender, I-deology: Essays on theory, fiction and film. Amsterdam ; Atlanta: Rodopi.

Cros, E. (1988). Theory and practice of sociocriticism. Minneapolis: University of Minnesota Press.

Curran, T. (1980). A new note on the film: A theory of film criticism derived from Susanne K. Langer's philosophy of art. New York: Arno Press.

De Lauretis, T. (1987). Technologies of gender: Essays on theory, film, and fiction. Bloomington: Indiana University Press.

Doane, M. A. (1991). Femmes fatales: Feminism, film theory, psychoanalysis. New York: Routledge.

Douglas, I., & Ruthrof, H. (1988). Film and meaning: An integrative theory. Perth, Australia?: Continuum Publications.

Douglas, I., & Ruthrof, H. (1988). Film & meaning: An integrative theory. Murdoch, WA: Continuum Publications and Film & Television Institute.

Eagle, H. (1981). Russian formalist film theory. Ann Arbor, Mich.: Dept. of Slavic Languages and Literatures, University of Michigan.

Easthope, A. (Ed.). (1993). Contemporary film theory. London New York: Longman.

Eberwein, R. T. (1979). A viewer's guide to film theory and criticism. Metuchen, N.J.: Scarecrow Press.

Eisenstein, S. (1949). Film form: Essays in film theory. New York: Harcourt, Brace & World.

Eisenstein, S. (1951). Film form: Essays in film theory. London: Dennis Dobson.

Eisenstein, S. (1957). Film form: Essays in film theory and the film sense. Cleveland: World.

Eisenstein, S. (1963). Film form: Essays in film theory. London: D. Dobson.

Eisenstein, S. (1967). Film form: Essays in film theory, and, The film sense. Cleveland: World Co..

Eisenstein, S. (1968). Film form: Essays in film theory, and The film sense. Cleveland: World Col..

Eisenstein, S., & Leyda, J. (1949). Film form: Essays in film theory. Edited and translated by Jay Leyda. --. New York: Harcourt, Brace & World.

Fairservice, D. (2001). Film editing: History, theory, and practice : looking at the invisible. Manchester New York New York: Manchester University Press Distributed in the USA by Pakgrave.

Gentile, M. C. (1985). Film feminisms: Theory and practice. Westport, Conn.: Greenwood Press.

Geuens, J. P. (2000). Film production theory. Albany, N.Y.: State University of New York Press.

Giddings, R., Selby, K., & Wensley, C. (1990). Screening the novel: The theory and practice of literary dramatization. Basingstoke: Macmillan.

Grant, B. K. (1977). Film genre: Theory and criticism. Metuchen, N.J.: Scarecrow Press.

Grodal, T. K. (1994). Cognition, emotion, and visual fiction: Theory and typology of affective patterns and genres in film and television. Copenhagen: University of Copenhagen, Dept. of Film and Media Studies.

Grodal, T. K. (1997). Moving pictures: A new theory of film genres, feelings, and cognition. Oxford New York: Clarendon Press Oxford University Press.

Hanson, E. (Ed.). (1999). Out takes: Essays on queer theory and film. Durham, NC: Duke University Press.

Henderson, B. (1980). A critique of film theory. New York: E.P. Dutton.

Hietala, V. (1990). Situating the subject in film theory: Meaning and spectatorship in cinema. Turku Helsinki, Finland: Turun yliopisto Distributor, Akateeminen kirjakauppa.

Hochman, J. (1998). Green cultural studies: Nature in film, novel, and theory. Moscow: University of Idaho Press.

Hockings, P. (Ed.). (1988). Cinematographic theory and new dimensions in ethnographic film. Osaka: National Museum of Ethnology.

Hockley, L. (2001). Cinematic projections: The analytical psychology of C.G. Jung and film theory. Luton: University of Luton Press.

Jeancolas, J. P., Meusy, J. J., & Pinel, V. (1996). L'auteur du film: Description d'un combat. Arles Lyon: Actes sud Institut LumiŠre.

Kaminsky, S. M. (1974). American film genres: Approaches to a critical theory of popular film. Dayton, Ohio: Pflaum.

Kamp, W. (1996). Autorkonzepte und Filminterpretation. Frankfurt am Main New York: P. Lang.

Kaplan, E. A. (1997). Looking for the other: Feminism, film, and the imperial gaze. New York: Routledge.

Kindem, G. A. (1980). Toward a semiotic theory of visual communication in the cinema: A reappraisal of semiotic theories from a cinematic perspective and a semiotic analysis of color signs and communication in the color films of Alfred Hitchcock. New York: Arno Press.

Kracauer, S. (1960). Theory of film: The redemption of physical reality. New York: Oxford University Press.

Kracauer, S. (1965). Theory of film: The redemption of physical reality. New York: Oxford University Press.

Kracauer, S. (1968). Theory of film: The redemption of physical reality. London: Oxford University Press.

Kracauer, S. (1970). Theory of film: The redemption of physical reality. London: Oxford University Press.

Kracauer, S. (1971). Theory of film: The redemption of physical reality. --. London: Oxford University Press.

Kracauer, S. (1974). Theory of film: The redemption of physical reality. --. New York: Oxford University Press.

Lapsley, R., & Westlake, M. (1988). Film theory: An introduction. Manchester New York: Manchester University Press distributed exclusively in the USA and Canada by St. Martin's Press.

MacCabe, C. (1986). High theory/low culture: Analysing popular television and film. Manchester: Manchester University Press.

MacCabe, C. (Ed.). (1986). High theory/low culture: analysing popular television and film. Manchester: Manchester University Press.

Mast, G. (1977). Film/cinema/movie: A theory of experience. New York: Harper & Row.

Mast, G., Braudy, L., & Cohen, M. (1992). Film theory and criticism: Introductory readings. New York: Oxford University Press.

Mast, G., & Cohen, M. (1974). Film theory and criticism: Introductory readings (compiled by) Gerald Mast (and) Marshall Cohen. New York: Oxford University Press.

Mast, G., & Cohen, M. (1979). Film theory and criticism: Introductory readings. New York: Oxford University Press.

Mast, G., & Cohen, M. (1985). Film theory and criticism: Introductory readings. New York: Oxford University Press.

Matzker, R. (1993). Das Medium der Phänomenalität: Wahrnemungs- und erkenntnistheoretische Aspekte der Medientheorie und Filmgeschichte. München: Fink.

Miller, T., & Stam, R. (Eds.). (2000). Film and theory: An anthology. Malden, Mass.: Blackwell Publishers.

Monaco, J. (1977). How to read a film: The art, technology, language, history, and theory of film and media. New York: Oxford University Press.

Monaco, J. (1981). How to read a film: The art, technology, language, history, and theory of film and media. New York: Oxford University Press.

Monaco, J. (2000). How to read a film: The world of movies, media, and multimedia : language, history, theory. New York: Oxford University Press.

Mller, J. E. (1994). Towards a pragmatics of the audiovisual: Theory and history. Mnster: Nodus Publikationen.

Pearson, R. E., & Simpson, P. (Eds.). (2001). Critical dictionary of film and television theory. London New York: Routledge.

Penley, C. (1988). Feminism and film theory. New York London: Routledge BFI.

Potter, S. (Ed.). (1979). Thriller. Great Britain: Sally Potter.

Ray, R. B. (2001). How a film theory got lost and other mysteries in cultural studies. Bloomington: Indiana University Press.

Roberge, G. (1992). The ways of film studies: Film theory & the interpretation of films. Delhi: Ajanta Publications.

Rodowick, D. N. (1988). The crisis of political modernism: criticism and ideology in contemporary film theory. Urbana, IL: University of Illinois Press.

Rodowick, D. N. (1991). The difficulty of difference: Psychoanalysis, sexual difference & film theory. New York: Routledge.

Rosen, P. (1986). Narrative, apparatus, ideology: A film theory reader. New York: Columbia University Press.

Rosen, P. (Ed.). (1986). Narrative, apparatus, ideology: a film theory reader. New York: Columbia University Press.

Ruddick, N. (1992). State of the fantastic: Studies in the theory and practice of fantastic literature and film : selected essays from the Eleventh International Conference on the Fantastic in the Arts, 1990. Westport, Conn.: Greenwood Press.

Semsel, G. S., Xia, H., & Hou, J. (Eds.). (1990). Chinese film theory: A guide to the new era. New York: Praeger.

Smelik, A. (1998). And the mirror cracked: Feminist cinema and film theory. Houndmills, Basingstoke New York: Macmillan Press St. Martin's Press.

Stam, R. (2000). Film theory: An introduction. Malden, Mass: Blackwell.

Stam, R., & Miller, T. (Eds.). (1999). A companion to film theory. Malden, Mass Oxford: Blackwell.

Testa, B. (1976). The development of a realist film theory: Andre Bazin's pilgrimage from technology to theology. Toronto: s.n..

Thornham, S. (1997). Passionate detachments: An introduction to feminist film theory. London New York: Arnold.

Thornham, S. (Ed.). (1999). Feminist film theory: A reader. Edinburgh: Edinburgh University Press.

Tyler, P. (1972). The shadow of an airplane climbs the Empire State Building: A world theory of film. Garden City, N.Y.: Doubleday.

Weis, E. (Ed.). (1985). Film sound: Theory and practice. New York: Columbia University Press.

Weissenborn, U. (1998). Just making pictures: Hollywood writers, the Frankfurt School, and film theory. Tübingen: G. Narr.

Willemen, P. (1994). Looks and frictions: Essays in cultural studies and film theory. Bloomington, IN London: Indiana University Press British Film Institute.

Williams, L. (1981). Figures of desire: A theory and analysis of surrealist film. Urbana: University of Illinois Press.